Salon MVLIT Sp2013

SUBMISSION INFO -We strive to showcase the best short work and poetry. WE ACCEPT UNSOLICITED SUBMISSIONS.

Submissions only of strong literary merit are considered.

Submission fee & guidelines. Deadline for next issue is Oct. 15, 2017. You must be above the age of 15. See samples in Literary Latte, Review, and Gallery. The top submission(s) will be published in next issue.$10 submission fee for submissions unless solicited. Note new address: Payable to P. King, at MillValleyLit, 179 The Alameda, Penthouse Suite, San Anselmo, CA 94960

Follow submission by digital copy to our email.

Invited Guest authors appear at no charge. Writers we publish may receive additional acknowledgements or opportunities. Submission guidelines subject to change. Unsolicited submissions must not have been previously published in bound print and submitter must have the rights. Published Submissions may be edited for clarity, conciseness and context. Contact us at millvalleylit at gmail. com for submissions inquiries.

If you have personal experience with a late literary figure we would like to hear from you for a feature in MillValleyLit.

ADVERTISING SPONSORSHIP Opportunities: Give your business, book, or event a targeted promotion. Beome a Sponsor of the Literary Arts for our next edition of MillValleyLit. Our rates are very reasonable and your ad runs for 4 months and longer.millvalleylit at gmail dot com

 

Join our LITERARY LATTÉ.

GET LIT!

Literary Latte member signup by emailing us at millvalleylit at gmail . com

SUBSCRIBE!

Why ? Support a platform for new and emerging writers. All members receive news, notes, invites to readings, and special bonus content.

$25- Pulp fiction member
$50- Kerouac member
$100-Saroyan member
$200-Frost member
$500-Steinbeck member
$1000-You choose an author and see them highlighted in our magazine!


Subscribers receive....
$100 - certificate & previews
$200 and above - a free printing of select magazine authors. $500 and above - Special Invites.

Subscribe with above address and info.

LIKE WHAT WE DO? Help us keep the Literary Latte alive. Volunteers and donations are encouraged and accepted. Send checks, gift certificates, Peet's cards, and and valuables to above address.

See STACKS archive issues and interviews:

Summer 2015

Interview with the Illustrated Man - Lyle Tuttle. "A Night in Grace's Shoes" - Down the rabbit hole with the former Mill Valley resident Grace Slick: memoir by Lindy Krushas "Oh Summer of Ultimate Desire" memoir by Philip Kobylarz "The Startup Genie" plus "My Undead Dad" by James Beach. "The Triple Tiara"- Sports Report by Les Manley - satire, "What We Are" poetry by Lucretia.

Winter 2014-15

Interview: Catherine Coulter. "Back In the Saddle" - Travelogue\Memoir by Eddy Starr Ancinas "That Wet, Wet Winter Of 1955!" - Memoir by Johnny Myers "Back To The Mill Valley Of Old" by Johnny Meyers "That Day That I Might Have Missed" - by Mark Rice "Blackie And The Gunsel Memoir" by Johnny Myers "Castlewood"- Fiction by novelist Ann Gelder

 

Summer 2104

Interview: From the 60's to the '9ers with writer David Harris.

Beat muse and poet Kaye McDonough, Claudia Chapline flash fiction, Gary Snyder & Tom Killion, poetry by Tara Namias.

Spring 2014

Graphic novels and comix special issue: Tom Barbash interview, Haiku by Bruce H. Feingold, "Book Bars" flourish, great libraries of the world, Robert Frost Marin connection, Hanging in Havana with Hem with Christie Nelson- inside Hemingway's Cuban home, Gerald Nicosia's new poetry book,Susna Brown poems, Susanna Solomon newest Pt. Reyes Sheriff Call, The final book by Mill Valley Legend Don Carpenter: Fridays at Enricos, Catherine Coulter covered from Writer's Digest, Audiobook Reviews by Jeb Harrison - The Adventures of Huckleberry Finn.

Winter 2014

TWO Interviews. The T.C. Boyle Interview, Hanging in North Beach with Louis B. Jones, rising writer Tom Barbash, Robert Frost Dartmouth lectures, Lit agent and SF Writers Conference co-founder Michael Larsen's tips for writers, preview of Forgotten: Treasure Island 1939 by Christie Nelson, The Tortilla Curtain and Herzog audiobook reviews, fiction, poetry & art.

T.C. Boyle interview

Louis B. Jones interview

Lucretia: 6 Poems

Jeb Harrison: The Unauthorized, Unofficial History of the Bolinians

Christie Nelson: Forgotten, novel preview

Grant Flint: A Terrible Wonderful Thing

"Sally Sells Seashells by the Seashore" by Merriam Sarcia Saunders

"A Streetcar Named Denial" Stage Musical Parody by Jack Barnes

Fall 2013

Interviews with Peter Coyote, DeLorean Auto's right hand man, Walter Strycker.

Summer 2013

Interviews with with pro Audiobook narrators Paul Castanzo & Simon Vance. Inside Tarzan writer E.R. Burroughs mysterious ranch.

Spring 2013 Interviews: Deborah Grabien

Barbara Davies

Sandy Shepard

Winter 2012-13 Special Beat Issue featuring Gerald Nicosia - in Stacks

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MillValleyLit

HOME | THE LITERARY LATTÉ - Stories & Poems | ON MY NIGHTSTAND - Books reviewed | REVIEW - Writing and more|SALON - Interviews, Submission, Contacts|The STACKS - Back Issues

The SALON - Spring 2017

BACK TO THE FUTURE like a Vuja de in reverse gear...

Lights, camera, action! The everything-goes eighties culture and fashion seem like science fiction in these overwrought P.C. times - and continues to fascinate us. MillValleyLit EXCLUSIVE: MillValleyLit subjects to get lit on the big screen. Marin author/artist Norris Burroughs and serial entrenpreneur Walter Strycker were recently interviewed by filmmakers for their 80's first hand accounts: Burroughs on THE Material Girl - Madonna, and Strycker on THE Material Man - John DeLorean.

...INTERVIEW with DeLorean's right-hand man, Walter Strycker.

35 years after, DeLorean's friend and CFO revisits the 80’s quintessential corporate tale.

"It was like an ephiphany that I had for the very first moment I laid eyes on her...she was a force to be reckoned with..." Norris Burroughs, My Madonna.

"Burroughs was ideally placed to bring to life a pivotal era in music history." Craig Kallman, Chairman and CEO of Atlantic Record

Norris Burroughs is the author of MY MADONNA: MY INTIMATE FRIENDSHIP WITH THE BLUE EYED GIRL ON HER ARRIVAL IN NEW YORK, (2013). Now his memoir, along with rocker Dan Gilroy's experiences and very personal archives, are first-hand sources for filmmaker Guy Guido's Emmy and the Breakfast Club, which Guido calls Madonna’s 'ferocious ambition and drive to make it in the music business'.

Louise/"Madge" was a Michigan girl who aspired to be a NY dancer but became a drummer and eventually singer "Emmy" for The Breakfast Club (with Dan). The world would soon know her as one of the first monosyllabic stars - Madonna. The movie will be a hybrid of a documentary and dramatization (actors portraying the characters, including Norris, also interviewed in the film). A Guy Guido film. (See Burrough's graphic novel Voodoo MacBeth in On My Nightstand).see EmmyandtheBreakfastClub

THE FLUX CAPACITOR RIDES AGAIN

Walter Strycker, former CFO of DeLorean Motor Car, with whom MillValleyLit had the below extensive conversation, was recently interviewed for a DeLorean documentary by filmmaker Tamir Ardon.

The film will be told through the eyes of family, colleagues like Strycker, and competing Hollywood filmmakers who have struggled to bring his story to the big screen.

DeLorean is best remembered for the DMC-12, a sports car simply called the DeLorean with a stainless steel body and gull-wing doors. He had worked for General Motors and designed the Pontiac GTO, the Pontiac Firebird and Pontiac Grand Prix, before starting the DeLorean Motor Company in 1973. Several members of the DeLorean family are participating, including his children Zachary and Kathryn, his brother and his nephew.

The film is directed by Don Argott and Sheena M. Joyce, produced by Tamir Ardon. Production is currently under way including at the site of the original DeLorean Motor Car factory in Belfast. Universal studios is reported to be involved, possibly in distribution.

A doc to celebrate the restoration of the customized DeLoren used in 1985's "Back to the Future" was released last fall, entitled OUTATIME. Joe Walser, feature film art director, BTTF superfan was supervisor of the car’s restoration.

 

INTERVIEW With Walter Strycker

Walter Strycker, was CFO and friend of the multifarious John DeLorean. He refuses to divulge the secret of the 1.21 gigawatt flux capacitor nor Marie Callender's chili recipe.

 

The stainless steel gull wings and the name are legend. Yes, DeLorean. John DeLorean - the maverick behind America’s seminal muscle car– the “Little GTO” of Beach Boy’s fame, as well as the Pontiac Firebird and Grand Prix. DeLorean became the rock star of executives. Friends included Steve McQueen, Johnny Carson and Sammy Davis Jr. who invested in his upstart DeLorean Motor Company. The car – the “Back to the Future” time-traveling stainless steel sexy gull winged door beauty. Quite the accomplished playboy, DeLorean was Hugh Hefner on steroids; or on nitro, to utilize auto parlance. His nocturnal companions were sex goddesses – Raquel Welch, Ursula Andress, Candice Bergen, Nancy Sinatra.

Interview by J. Macon King  

           Unlike the “most interesting man in the world” ads, Walter Strycker has not needed to be a womanizing partier to qualify; he has been married to his kinetic wife, Connie, for 60 years. Interesting? Yes. He was DeLorean Motor Company’s right-hand man, an international sales exec in IBM glory days, ran an airline, bought Marie Callender’s, and could raise millions of dollars over lunch. 

But wait, there is a bit more. Stryker has had machine guns pointed at him during the IRA conflict, helped finance the 70’s most memorable football movie, and had meetings with Lee Iacocca and George Wallace. With shades of Ernest Hemingway – Strycker survived three aircraft crashes. He had dinner with the KGB. Oh, he casually adds, I was portrayed on the London stage.   

We chatted at the Strycker’s West Shore Belvedere home, sampling wine from grapes grown at Strycker Vineyards. Strycker cuts a relaxed, but commanding and fit figure. A rangy six-foot, he still has the bearing of an executive. With Clint Eastwood good looks, he appears 70. He is 84. His demeanor is matter-of-fact and sometimes a little intimidating, until he gives his twinkling smiles. No wonder investors believed in him. This is a man who gets things done and does not suffer fools gladly.  

Strycker's family was originally with the ill-fated Donner Party. Luckily they were Oregon Trail bound and split-off. They became lumbermen and ranchers outside of Coos Bay, Oregon and grew their holdings to 2000 acres. Their story of independent rustic practicality is reminiscent of the Stampers in Kesey’s Sometimes a Great Notion. His grandfather, one of eighteen siblings, made the move to San Francisco where Walter grew up to graduate Cal in ’51.

Publisher J. Macon King with DeLorean in Mill Valley close to the 2AM Club - photo: P. King

Strycker and I reviewed his chapter with one of the most iconic corporate characters of the 80’s – John DeLorean, and DeLorean Motor Company.  

MillValleyLit: DeLorean’s FBI Report called you a “good friend” of John DeLorean. How did you know DeLorean?

Strycker: John called me through a good friend’s recommendation, Bob Anderson, President and CEO of North American Rockwell. I had put together some mergers and acquisitions with his people in NY. I met with John in Oakland in 1978 to see his DeLorean auto prototype. He had a small group in his company, including some men he cherry picked out of GM. His stainless, gull-wing prototype looked pretty much the same as the production ones you’ve seen. The project was fascinating to me and I agreed to work with him. My chore was to raise a couple of hundred million dollars to put together his factory and marketing program.

John was working out of NY, and that was the point of origin for the financing. He lived in a co-op on 5Th Avenue across from the Park, and a lot of times I would stay with John. We shared an office together and the boardroom at Chris-Craft and worked together every day. Herb Siegel was the CEO of Chris-Craft, and he was a friend of John’s, and gave us a place to hang our hats. Over the next two-three years I hit our capital target.

MillValleyLit: How did you transition from raising funding to CFO and John’s right-hand man at DeLorean Motor Company?

Strycker: I took over as CFO when Bob Dewey quit, who had put all his efforts into locating the plant in Puerto Rico.  I looked at other locations, including Alabama, where I had a meeting with Governor George Wallace. He was on painkillers at the time and the meeting didn’t go so well. When I headed the plant to Ireland, he felt, umm, slighted.   

MillValleyLit: Did you own a DeLorean? Were you caught up in the DeLorean glamorous lifestyle?

Strycker: I drove a new DeLorean prototype on the Lotus test track in England. John did offer to give me one. There was some glamour. John handled that. I was the finance man. We had lunch at 21 in Manhattan, and celebrities in business, sports, theater, modeling would stop by, or have lunch at our table. During this time John was married to a top super model and cover girl of the day- Cristina Ferrare. It wasn’t just the way the media portrayed John. John was in a calmer period while I was involved with him. It was prior - at GM, when he gained the reputation, and later - that he sealed it. While we were getting the funding he was very business-like. It was once we got funded, that’s when I think he got into the cocaine.

MillValleyLit: Was DeLorean a good man, or was he really just another Gordon Gekko?

Strycker: I would say closer to being a Gekko. As Connie said, he didn’t have a sense of humor. He didn’t laugh a lot. He didn’t really kid around at all. He was engrossed in his own mind. In my lifetime, the two biggest egos I ever encountered were John DeLorean, and Lee Iacocca. I had meetings with Iacocca, during the Chrysler bankruptcy days. John came up with this great idea how to fund Chrysler - he wanted to take it over – with a $400 million private placement. That’s when we started to disagree. I told him, “John, you can’t do that. You have an agreement with the British government. They already had a bad experience with Chrysler. They’re not about to let us divert our attention away from Ireland.” We were already into production. But, John was a classic entrepreneur – he was always ready to go with his next big idea.

MillValleyLit: And let others, like you, sort out the details?

Strycker: He loved the attention. John was well known before DMC, but he wasn’t. But once he got the money to build his own car, all of a sudden he was a focal point for the media. He was in every periodical, newspaper, TV. He became a real personality. He liked it. He had on his payroll, a PR man, to make sure the DeLorean name was in front of the public.

MillValleyLit: Sounds like Trump. Did the pressure get to him or make him over-reach?

Strycker: No. John had three personalities; and he ended up with… He had his public persona, his persona in the business world, and the persona that not very few people got to see – which was his downfall. He had a tendency to do things that weren’t ethical or legal.

MillValleyLit: His Mr. Hyde?  

Strycker: Yes.

MillValleyLit: DeLorean played in the big leagues. With big money. Looking for a place to manufacture the auto plant, the British government became interested - politically motivated in a move against the IRA. The plant was to be built near Belfast, N. Ireland - the heart of the IRA rebellion. The government gave DeLorean Motor Company nearly a 100 million pounds. What was that?  

Strycker: Depends on the exchange- a hundred and fifty million dollars?

MillValleyLit: In today’s dollars?

Strycker: Maybe half a billion dollars.

MillValleyLit: That’s incredible. You were directly involved in that negotiation?

Strycker: Yes. Our attorney, Al Cohen, and I went to North Ireland and met with the British and the Northern Ireland Development Association. We negotiated the contract and signed the deal with them.

MillValleyLit: That must have felt pretty good – cutting a deal of that significance with a major foreign government? 

Strycker: Yes, that was interesting.

MillValleyLit: How scary was that - working in Belfast, during the IRA days?

Strycker: The late 70s had settled down and was not as bad as the 60s and early 70s. But, there were still roadblocks, guns, bombs, and lots of tension. We had a number of incidents.

The Europa Hotel in Belfast, where I first stayed, had been bombed twenty-eight times. After staying there I would have bombed it myself. The hotel was owned by a Filipino family who employed only Filipinos - from desk clerks to maids. The unemployment rate in N. Ireland was 41% at the time and they gave no jobs to the Irish. I moved out.

One day, we were looking at property between housing developments – right between Protestants and Catholics. The Protestants on one side, on the other side the Irish Catholics. There were nine distinct groups so it was a little hard to keep track. A military vehicle charged up, mounted a .50 machine-gun pointed at us. A group jumped out with automatic weapons leveled at us and surrounded us. It turned out to be British forces, who were as scared as we were. They thought we had run a roadblock. I realized then, why John wasn’t enthusiastic about exposing himself to the Irish. He had declined to be in Ireland personally.

MillValleyLit Note: The DeLorean plant, which was located between the Catholic and Protestant communities in Dunmurry near Belfast, had two separate entrances for its 2,000 employees.

WHITE LINE FEVER

MillValleyLit: As DeLorean’s CFO it eventually became apparent to you that the books were not right. You became worried. You said, quote: “All of a sudden, John had a lot of money and he was spending it in the United States, and that to me was highly suspicious.” What was going on then?

Strycker: We had done a financing arrangement with Lotus to manufacture the prototype, and do product development. That money was supposed to be from a funding from Oppenheimer Funds in NY. John started paying off personal debt when I knew that John didn’t have money of any substantial nature. It turned out the Oppenheimer money went through a Swiss bank account, instead of going to the prototype at Lotus. In Switzerland, the money split equally between a fellow named Colin Chapman, who happened to be Founder and CEO of Lotus, and John. They were using only the British money to do the prototype engineering production.

MillValleyLit: So the investors’ money from the States, the Oppenheimer funding, not the British money, went to a Swiss account. You were faced with a dramatic moral dilemma. How did that feel? 

Strycker: I would have been complicit as a financial officer. I would have had to file a 10K and an S1 with the Federal government, as a requirement. I had a controller, and neither one of us really wanted to file a fraudulent statement. I talked to an attorney in NY, and decided that I should leave, and let John bring in a new CFO.

MillValleyLit: Who else did you tell?

Strycker: I made a disclosure to Arthur Andersen. I had a meeting with Dick Measell at Arthur Anderson. I told him they were all fraudulent returns. He didn’t seem too concerned. He sided with DeLorean. I told him that neither myself, nor my controller, would stay. I reported it to our board of directors.

MillValleyLit: Although you voiced concerns, even your account manager at Arthur Anderson, ignored them.  Don’t companies hire firms like AA accounting firm to assure investors that everything is kosher?

Strycker: Yes, they are supposed to ensure that the reporting to the stockholders and the governments is correct. We made full disclosure to AA. Some was subjective. We didn’t have access to all the records. They had more records than we did. They didn’t believe us. It became worse. Dick was an account manager and was promoted. He became President of AA and was still President when it blew up with the Enron scandal in 2001 – five indictments of fraudulent reporting. The Supreme Court overturned Arthur Anderson’s convictions on a technicality, but the damage was done. Arthur Anderson was done.

MillValleyLit: The man you were good friends with, who you had practically lived with, shared an office with, and had spent the last several years, putting your reputation on the line getting the company to this global level - you suspected of malfeasance. So you told him, I’m walking away? That must have been tense.

Strycker: It wasn’t pleasant.

MillValleyLit: You had the goods on him. There’s hundred of millions of dollars at stake. You told him that you were leaving, You were in IRA country, where people got shot and bombs blew people up all the time, where unemployment was rampant and somebody could probably be hired to put somebody in a ditch for a six-pack of Guinness and a joint. Did you ever feel like…  You weren’t afraid?

Strycker: No. Well, there were always a couple of people... We can’t put this in. Let’s just say it was pretty sticky.

MillValleyLit: He didn’t try to talk you into staying?

Strycker: No. 

MillValleyLit: He knew that you wanted to be on the straight and narrow? 

Strycker: He knew I was right!

MillValleyLit: But there were no consequences on the fraud until years later. 

Strycker: Right. My lawyer told me, don’t get into a pissing contest with John. That if I tried to go public - because the media was so on his side as he was an international celebrity, I would lose. I could have been sued for libel. Nobody wants to crash a project. I didn’t want to crash the project.

I suffered because I raised that money. I had friends who had invested. What really got me, was that this was really the first product that was going to be coming out of North Ireland, of a substantial nature, that would demonstrate that North Ireland could manufacture consumer products on a large scale. At that point, in the 70s, unemployment was almost 40%. A 25- year-old Irish Catholic man in N. Ireland would probably have stayed on the dole the rest of his life. No opportunities. He would never get a job with the British government or with any of the North Ireland businesses, because all the businesses were controlled by the Irish Protestants.. There was the whole ramification and ripples in the communities with the 2,000-worker plant, people had money to buy services and do things. It was a disaster when it closed.  

MillValleyLit: DeLorean’s fast track life intensified into a crash and burn. Production and financial troubles soon engulfed DeLorean Motor Company. Befitting the 80s, coke became involved. Lots of coke. The FBI claimed that DeLorean, desperate to avoid bankrupting his company, intended to sell $24 million of cocaine. He was arrested in LA in 1982, accused of money laundering and drug charges. He faced 60 years in prison. What happened with you doing during this time? 

Strycker: I moved on and dropped contact with John. One of the most interesting days of my life was in a legal office one day in SF. Right after the news of John’s arrest. The receptionist called me - that three men were in the waiting area. It turned out to be an IRS agent, DEA, and an FBText Box: As Brian Stater reported in London’s 2002 The Telegraph – “Dark clouds taint Lotus founder Colin Chapman: Chapman died before the full deceit unravelled (sic)but at the subsequent trial of Fred Bushell, the Lotus accountant, the judge insisted that had Chapman himself been in the dock he would have received a sentence ‘of at least 10 years.’ … In a biography, by the motor racing historian Mike Lawrence, he suggests Chapman had the business ethics of a 1950s spiv, used dangerous drugs to maintain a crushing schedule and ruthlessly stole other men's ideas.” Colin Chapman: Wayward Genius by Mike Lawrence (Breedon Books)  I. And they wanted to meet with me. I called my lawyer and met with them. They asked me some questions about John’s behavior and drugs.

I was fortunately not called to testify. His partner at Lotus, Colin Chapman, who would have been called in to testify, died of a heart attack on an airplane back to London.

MillValleyLit: A heart attack? Was it all the coke? Or a mysteriously convenient “heart attack?”

Strycker: I don’t know. It was odd. Then John did get off, two years later, on an entrapment defense. But maybe a year after he was acquitted, I ended up testifying in Detroit, where he had 13 charges including tax evasion, and grand theft. He was also indicted in Federal Court, and I had to testify before the grand jury and in the court proceedings.   

BLUE SUITS & CHOCOLATE CREAM PIES

MillValleyLit: Tell me about your IBM days. Did you have to wear a blue suit?

Strycker: Yes. Three piece. White shirt. I worked for IBM in the 50 and 60s in domestic and world trade. I did a lot of traveling. In India, another IBM man had come down with Hep C. I had inoculated against Hep. But, to avoid food poisoning, which was all very common for travelers in the eastern countries, I simply ate anything but the food. I ate mostly chocolate, peanut butter, and beer.

MillValleyLit: With what other companies have you been involved?

Strycker: After IBM, I founded Decimus, a computer company, in a joint venture with BofA. Then, I was President of Rust Engineering in Pittsburgh. In the early 80s, we acquired the failing Pullman Co. Passenger Car. They made the famous sleeper cars and dome cars. It was a rescue operation. In the 90’s I was part of an investment group that would buy and sell corporations. We bought Marie Callander’s, originally a Ramada company, consisting of 164 restaurants.

The restaurants were losing a half a million dollars a year. One of the managers I hired had done catering for Hugh Hefner. The showcase restaurant was next to LA County Museum and SAG.  Johnny Carson’s piano player free-lanced there. It became more hands on than I intended. I gained six pounds eating their signature pies - 1200 calories a slice. We did a one million dollar turnaround on that location.

GUINNESS & BURT REYNOLDS, FLIRTING WITH DEATH & THE KGB

MillValleyLit: What is another successful business story?

Strycker: We worked with Guinness to develop entertainment. We helped finance feature film for theater and TV. We had 20% of The Longest Yard with Burt Reynolds. We made it for under 3 million and grossed over 22 million, and picked up a Golden Globe.  

MillValleyLit: You have been very successful. Tell us some stories about not being successful or problems you’ve overcome.

Strycker: This is the “THE THREE GRINGOS” story: Two friends and I convinced ourselves into buying a commuter airline in Puerto Rico. A friend had told us that - It was a lay up – it turned into a setup. The books were cooked. We knew nothing about airlines. We were told the company had a million bucks in aircraft spare parts. The parts turned out to be DC3 parts, and the mishmash of seventeen aircraft the company owned, none were DC3s, and no one else wanted the parts. It was a mess. We started selling the planes, and one day a man came in to buy our Aero-coup, and offered us $35,000 cash in a paper bag. I figured the purchase might be used for contraband so I sent my man running over to the FAA to register the sale right away. Sure enough, in thirty days, the FAA called us about its confiscation for drug smuggling. They had all kinds of planes over in their impound. 

MillValleyLit: You were in an airplane crash during this messy time?

Strycker: One was. That was my second plane crash. The first was a big B-29 four-engine bomber when I was a Staff Sergeant in the Air Force. It was the same model plane as the Enola Gay, which carried the atomic bombs to Japan. We crashed with a bad prop and no landing gear right up at Hamilton Field in Novato. The second was in Puerto Rico in a Twin Otter where with 30-35 knot side-wind, we ended up in the ocean. The third was an executive helicopter that picked me up on a roof in Houston after a meeting to take me out to the airport, and it went down. The pilot managed to get it over an empty lot that was still marsh right in downtown Houston, and we crashed and bounced, and we were OK. So all three crashes, I walked away – or swam away.

MillValleyLit: You’re very lucky!

Strycker: Am I? I didn’t think so during the third crash. It was the car crashes that were worse. I survived eleven automobile accidents, including being thrown 120 feet from a convertible on Skyline Boulevard, around Santa Cruz, which almost killed me. The doctor came in every morning and told me I was lucky in that one. I also survived prostate cancer in 1993.

MillValleyLit: You definitely qualify as a survivor. Speaking of risky behavior, you mentioned that you had dinner with a KGB agent. At least you knew it. After watching the “Americans” on TV, I suppose a number of high profile players might have, without realizing it. How did this come about? 

Strycker: A friend of mine, Harvey Hament, invited me along. He had been at the Yalta conference with Stalin, Churchill, and Roosevelt. He worked with Casey and Ed Meese under Reagan. Harvey was a kind of “liaison” between the Feds and the USSR. He said that we would meet this Russian and walk to dinner. The Russian was the ex-head of the KGB. There would also be two men from the Russian Embassy. He described how it would unfold, which it then did: my friend and the KGB agent - the pair of them would walk separately behind us and talk, before re-joining our group. Then it was just a “casual” dinner at the Palm restaurant in Manhattan. Harvey said the fun part would be the Russians spending the evening trying to figure out if I were FBI or CIA.

MillValleyLit: And?

Strycker: They decided I was FBI.

MillValleyLit: Must have been the IBM training! You’re “retired” but you grow grapes, so you are really a farmer now, right? And you are a board member of the Belvedere Flood Zone Commission. What is the gist of that? 

Strycker: Yes. We are working on local compliance with FEMA regulations and flood insurance, which could have a hugely negative impact on property owners. We’re trying to get a handle on it.

MillValleyLit: You have done and accomplished much in your life. Anything you have not done that you wanted to do or be?

Strycker: Now that I have been portrayed on the London stage? (laughs) A show called, “JD & COKE” by Jon Ivay, about DeLorean, of course. There is one thing I want to be. I want to be Arnold Palmer.

MillValleyLit: You mean you wanted to be a pro golfer?

Strycker: No, not just any pro golfer. If I had to come back and live my life over, I would want to be Arnold Palmer. 

End

 

 (interview originally published Fall 2013, MillValleyLit)

Photographs below by Stephen Finerty -

GE reunited a DeLorean with Michael J. Fox narration, in a commercial, which aired for the SF-Seattle football game 9-15-13. The game was ironically delayed by lightning strikes – from over-charging the flux capacitor, no doubt.


The cars are still quite collectible. The Grahams, owners of Patterson's Irish Pub in Mendocino, display a DeLorean, which was written up May, 2013 in the SF Chronicle.  http://www.sfgate.com/cars/myride/article/1981-DeLorean-DMC-12-4484330.php#photo-4566048


The company FLUX Power is bringing back the car! The new DeLorean is electric and supposed to be available 2013. http://www.fastcoexist.com/1678726/photos-of-the-new-electric-delorean-back-to-the-future-of-cars ......... There is also a DeLorean bicycle company - http://www.deloreanbicycle.com/


JD & COKE – Stage play (Pre-production from Spring 2012) "John Ivay’s latest project 'JD & COKE' tells the story of John Delorean’s struggle to build the DeLorean DMC-12 Sports car in Belfast between 1978 and 1982. As an actor Jon Ivay has appeared many times on stage and television. He has appeared in the films The Gigolos, Telstar & Freebird. His most recent credit on television is the BBC Drama Spooks."   
(from  http://en.wikipedia.org/wiki/Jon_Ivay )

______________________________________

Recent MillValleyLit interviews include:

Anne R. Dick, Lyle Tuttle, Catherine Coulter, David Harris, Tom Barbash, T.C. Boyle, Louis B. Jones, Peter Coyote, Beat expert\biographer\poet Gerald Nicosia, rockin' writer Deborah Grabien, DeLorean Auto CFO Walter Strycker, audiobook narrators Simon Vance and Paul Castanzo.

Available in Stacks

_______________________________________

 

Getting to know

the Publisher of The MILL VALLEY LITERARY REVIEW

J. Macon King at Shakespeare and Company, Paris, 6-2016

John Macon King is Publisher of The MILL VALLEY LITERARY REVIEW. John wrote and directed for Rhubarb Revue Theatre and his writing has been featured in the Marin IJ, San Francisco Marina Times, San Francisco's Beat Museum and various magazines. He has given invited readings at the Book Depot, the Sweetwater, Sausalito Women’s Club, Mill Valley Outdoor Art Club, O'Hanlon Center for the Arts, and Words Off Paper. He is co-founder of Gerstle Park Writers Salon.

King explains how MillValleyLit came to be:

Q. What was your background for this literary venture?

A. I have always enjoyed a passion for reading, writing and the creative community. While earning a Creative Arts degree I worked in a library and then as a manager at the bustling SFSU bookstore. In Marin I found a niche as a marketing consultant for LucasArts and basked in the creativity at Skywalker Ranch. In 2000 I revived the Rhubarb Revue community theater, after its seven year closure, to encourage regular folks to take to the stage and perform along with seasoned performers. This same concept I applied to MillValleyLit - mixing emerging writers with published authors. The Rhubarb continues to be a venue for local writers and talent. http://tamvalley.org/rhubarb2012.shtml

Q. You have had previous experience as Editor of a community newspaper and web site?

A. Yes. Four friends and I put out an underground newspaper in high school when our work was censored in the school paper. This was small town midwest in the early 70's and the paper, and our audaciousness, were very controversial. No students had ever done that in the entire school district. We had Freshmen passing them out at the Homecoming Parade! The principal grilled the prime suspects, and really wanted to expell us, but he couldn't prove it was us. Emboldened, we printed two or three more issues. Ironically, the bigger secret was we were printing them at a local church! A sympathetic minister believed in our 1st Ammendment rights. The premier issue was called "The Dove" (you know, anti-Vietnam) and then we changed the name to "The Cynic," I suppose more properly reflecting our attitudes. At our high school reunions teachers and classmates were still talking about it.

With that depth of experience, I became Editor in Chief for The Progress TVIC newsletter which at times went to 2,500 homes in Tam Valley. After negotiating with Marin County to assume the name and site, we launched www.tamvalley.org as our own Tam Valley Improvement Club site. It was really the first neighborhood web site. I soon gave up on expensive paper, printing and mailings.

Q. Besides the poetry readings did you participate in other groups?

A. I took several writing seminars including Syd Field and Robert McKee. McKee's was a huge group, but a handful of us went to lunch with him every day of the seminar. I knew the Van Ness\Polk (SF) area well so I helped pick the spots. That was fantastic. For a number of years I was the only male in an engaging Mill Valley book club led by Barbara Nelson. The women were supportive and interested in hearing a masculine perspective, which I did my best to uphold. MillValleyLit developed from all those experiences. 

Q. What other contributions have you made in the community?

A. Besides the Rhubarb Revue, my community activities formerly included: Vice President of the Tam Valley Improvement Club (TVIC), Founder and Chair of T.V. Services District's Revitalization and Safety Commission, President of the Marin BNI Power Lunch, Tam Valley School Technology Coordinator, and consultant to three successful local political campaigns.

 

click: Marin Independent Journal Paul Liberatore interviews King

San Francisco Magazine Feb. 2014 http://www.modernluxury.com/san-francisco/story/the-literary-review-disrupted

Marin Magazine June issue: "Local Literature" at top of page 30. Marin Magazine is available by subscription, on select newsstands, and a snazzy digital version at: http://digital.marinmagazine.com/marinmagazine/june_2013#pg1

Mill Valley Herald's front page interview with King: http://www.marinscope.com/mill_valley_herald/news/article_3329e140-8c20-11e2-91d0-001a4bcf887a.html

Cobalt blue bottles in captivity at Las Vegas airportbar.

 

Rodeo Beach, CA New Year's Day flower cermony.

HOME | THE LITERARY LATTÉ - Stories & Poems | ON MY NIGHTSTAND - Books reviewed | REVIEW - Writing and more|SALON - Interviews, Submission, Contacts|The STACKS - Back Issues

Photo credits:

J. Macon King at Shakespeare and Company: Perry King.

Uncredited photos: J. Macon King, except some stock promotional book jackets, posters, archival, or credited.

© MillValleyLit. All rights reserved. Reproduction of any material without permission is strictly prohibited.

All writing, submissions, and comments are the views of the respective authors and interviewees do not necessarily reflect the views of MillValleyLit or Editorial staff.